French neo-impressionist painter, Georges Seurat, is the subject of the latest exhibition at Kunsthaus Zurich. But with only 60 works on display, many of them studies for larger paintings, it is difficult to tell whether the claim that Seurat is one of the fathers of modern art is justified. The monastic sobriety of the display, despite the wondrous pictures, does little to explain the quasi-religious fervour that Seurat inspires.